À deux c’est mieux (better together)
A bathroom for an inseparable couple madly in love.
"We cook together, we sleep together, we eat together - we poop together.”
Double sinks are a commonly accepted bathroom feature in homes where couples live. Why stop at double sinks?
At the beginning of a relationship, a couple is made up of two individuals who, over time, become one. The initial promises and desires to hide certain parts of their lives from their partner slowly dissolve as cohabitation breaks down all walls.
The friends we had before are forgotten, "me and you" become "us", and every task and project becomes a group venture. The relationship becomes a priority, while privacy is slowly bid farewell.
Part of a series exploring values that shape the built environment.
Mardi
Visual identity developed for Mardi architectes, an architecture agency based in Biarritz, France.
Zyva studio
Zyva studio is a Paris based architecture and design studio. The goal was to develop a logotype that works well both in 2D and 3D applications.
The Antivitruvian
house
Vitruvius declared that architecture must be solid, useful, and beautiful - values that have since become pillars of contemporary architecture.
The antivitruvian house is neither useful, solid nor beautiful (in any conventional way at least). Instead, it emphasises non traditional (non Vitruvian) architectural values such as impermanence, play, total flexibility and uselessness, as a building may serve a multitude of functions outside of any traditional parameters.
The screen displays a graphic from Bernard Tschumi (Advertisements for architecture, 1976) representing all kinds of uses buildings may serve.
Part of a series exploring values that shape the built environment.
Comet
Visual identity developed for Maxime Comet, a Biarritz based architect and carpenter.
To reflect the local character of Maxime's projects, the lettering draws inspiration from Basque typography.
The icon represents the celestial nature of the company's name while referencing the screw, an essential construction element.
Acoustic comfort
Different types of comfort are key factors in determining the quality and safety of a given workplace. In the following example, priority is given to acoustic comfort.
Part of a series exploring values that shape the built environment.
It enters into what
we become
Visual identity for Morph.Love collective’s exhibition at the Het Nieuwe Instituut in Rotterdam, between 11.09.21 - 03.10.21.
A map that guides, disorients and turns with you as you move through the immersive exhibition.
Text : Alice Bucknell
Sketches : Audrey Large
Custom lettering developed as a part of the show's visual identity.
Exhibition signage marking the five exhibition corridors.
In touch, without
touching.
A limited series of 50 screen printed vintage handkerchiefs to be used as a contact barrier between the user and the surfaces in contact with the public during the COVID-19 pandemic.
Available in the shop.
Print-a-tree
Christmas tree generating website developed in collaboration with Anže Petelinšek.
Users can create their own Christmas tree by dragging and dropping pre-made 3D Christmas decorations. By exporting and printing their own tree design they can replace a classic tree by a poster of their own making.
Photography
Selection of various photographs taken over the last few years.
Different types of comfort are key factors in determining the quality and safety of a given workplace. In the following example, priority is given to acoustic comfort.
Zyva studio is a Paris based architecture and design studio. The goal was to develop a logo that works well both in 2D and 3D applications.
A bathroom for an inseparable couple madly in love.
"We cook together, we sleep together, we eat together - we poop together.”
At the beginning of a relationship, a couple is made up of two individuals who, over time, become one.
Visual identity developed for an architecture agency based in Biarritz, France.
The logotype concept revolves around the stencil.
Stickers
Vitruvius declared that architecture must be solid, useful, and beautiful - values that have since become pillars of contemporary architecture.
The antivitruvian house is neither useful, solid nor beautiful (in any conventional way at least). Instead, it emphasises non traditional (non Vitruvian) values such as impermanence, play, total flexibility and uselessness, as a building may serve a multitude of functions outside of any traditional parameters.
The screen displays a graphic from Bernard Tschumi (Advertisements for architecture, 1976) representing all kinds of uses buildings may serve.
(Part of a series exploring values that shape the built environment.)
Visual identity developed for Maxime Comet, a Biarritz based architect and carpenter.
To reflect the local character of Maxime's projects, the lettering draws inspiration from Basque typography.
The icon represents the celestial nature of the company's name while referencing the screw, an essential construction element.
Visual identity and support materials for Morph.Love collective’s exhibition at the Het Nieuwe Instituut in Rotterdam, between 11.09.21 - 03.10.21.
A map that guides, disorients and turns with you as you move through the immersive exhibition.
Exhibition signage for Morph.Love collective’s show at the Het Nieuwe Instituut in Rotterdam, between 11.09.21 - 03.10.21.
Shivering exhalations corridor
Introspective realities corridor
Initial thoughts corridor
Custom lettering for Morph.Love collective’s exhibition at the Het Nieuwe Instituut in Rotterdam, between 11.09.21 - 03.10.21.
Shivering exhalations
Fragmented intimacies
Introspective realities
Lettering developed for Ola Kala’s SS2022 collection.
Initial sketches
Lettering detail
Elysium lettering on a t-shirt
In touch, without touching.
A limited series of 50 screen printed vintage handkerchiefs to be used as a contact barrier between the user and the surfaces in contact with the public during the COVID-19 pandemic.
Available in the shop.
Christmas tree generating website developed in collaboration with Anže Petelinšek.
Users can create their own Christmas tree by dragging and dropping pre-made 3D Christmas decorations. By exporting and printing their own tree design they can replace a classic tree by a poster of their own making.
Selection of various photographs taken over the last few years.
Queen Elizabeth’s memorial I, 2022
Queen Elizabeth’s memorial II, 2022
Royal Flora Amsterdam, 2023
Abstract flower, 2019
Rowing equipment, 2018
